MEN'S AND WOMEN'S
Chloé
Chloé made its name by refusing stiffness. When the house opened in Paris in 1952 it offered luxury clothing cut to be worn rather than fitted to a mannequin, and that decision still shapes everything: fluid silhouettes, fabrics with movement in them, and a romantic ease that reads as effortless precisely because the cutting underneath is exact.
That approach carries across categories without changing register. Ready-to-wear runs to silk blouses with bell and ruched sleeves, pleated dresses, wide-leg wool trousers and canvas utility jackets; footwear favours a chunky block heel, a braided leather vamp or a studded buckle over anything delicate; and the handbags are built on soft, grained and suede leathers with saddlery hardware. Each bag line carries a name rather than a number — Paddington, Marcie, Faye, Drew — which is how the shapes stay recognisable from one season to the next.
Frequently asked questions
All FAQ'sChloé























































































