WOMEN'S
Alexander McQueen
Every piece is engineered around a waist and a shoulder. The women's line takes corsetry logic — boning, seaming, panels that shape rather than merely close — and applies it to tailoring, dresses and outerwear alike, so a jacket sculpts as much as it covers and a gown holds its shape without needing a body to fill it.
Contrast does the rest. Severe cutting is set against romantic material, a sharp shoulder is answered by a full skirt, hardware sits heavy where the fabric is fine. The skull carries through as a house signature, most often in the metalwork, and the same deliberation reaches the shoes, where a heel is drawn with as much intent as a bodice. Nothing is neutral, which is rather the intention.
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