MEN'S AND WOMEN'S
Casablanca
The clothes are built around a mood rather than a season: the hour after the match, the terrace, the long lunch that follows. That idea explains the whole wardrobe — silk where another label would reach for cotton, prints painted by hand rather than sourced, tailoring loosened until it can be worn without an occasion to justify it.
Prints carry the identity. Gradients, painterly scenes, stripes and a monogram that appears woven, knitted or printed depending on the piece, all rendered in colour that stays warm rather than loud. The house tennis club emblem recurs as a mark of belonging to that world, and pieces are frequently designed as coordinated sets, a shirt with a matching trouser or short, so an outfit arrives already resolved rather than assembled.
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