MEN'S AND WOMEN'S
Saint Laurent
Black is not a colour at Saint Laurent so much as a structure. The house works one narrow, high-shouldered line through everything it makes, a jacket cut close to the ribs, a trouser running long and lean, leather kept smooth and unadorned; and Le Smoking, the tuxedo it cut for women in 1966, is still the argument sitting underneath all of it.
Accessories carry the same restraint. The interlocking monogram sits as flat hardware on quilted leather, on a chain shoulder strap, on a small square envelope meant for an evening out. Boots run to a slim shaft and a stacked heel; sunglasses and small leather goods hold the same edge. A house that says one thing, precisely, and keeps on saying it.
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