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Texture does the work at Chloé that colour does at other houses. The Paris label, in business since 1952, holds to a narrow warm palette — cream, sand, tan and black — and lets the making supply the interest instead: braiding, crochet, fringing and eyelet, used as construction rather than trim. It is why the pieces read as handworked without ever looking homespun.
The clothes are drawn to be layered. Little is cut close enough to rule out a second piece over or under it, and the cloth is chosen to soften with wear rather than break down. Footwear follows the same logic: soles are substantial, and straps are braided or buckled so they keep their shape. The leather goods are made in weights that take handling. It is a wardrobe meant to be used rather than preserved.
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